1. About 17 percent of books in France are now sold online, compared with about just 3 percent in 2005, according to the Ministry of Culture. Four out of every five of those online sales goes through Amazon…
    The proposed ban on free shipping must still receive final approval from the lower house of parliament… Once it is enacted, Amazon and its online competitors will have to choose between offering less expensive shipping or less expensive books. The total discount won’t be able to exceed 5 percent — ensuring that books bought online will be more expensive than those bought in stores.
    — 

    France says ‘Non’ to the digital age | The Great Debate

    Wow… thank god I don’t live in France.  But hey, way to drive sales of Kindles & ebooks registered to non French shops (at least for people who can read in English)

     
  2. 21:23 8th Jul 2013

    Notes: 77

    Reblogged from journo-geekery

    Tags: ebookspersonalisation

    The online retailer was granted a patent today outlining a “Customized Electronic Book with Supplemental Content” (Patent #8478662). It describes a way to enhance Kindle e-books by tacking on supplemental material provided by publishers or reputable sources. The e-books would be personalized by adding additional content within the specific interests of individual readers, or reader types. So, you could be reading A Game of Thrones and an additional story line or illustration (for example, a map) could be accessed from within the book, sort of like a DVD extra.
     
  3. 22:26 12th Jun 2013

    Notes: 46

    Tags: Ebooksapple

    Apple now holds about 20 percent of the U.S. ebook market, director Keith Moerer said in court Tuesday… Most estimates had placed Apple’s U.S. ebook market share at around 10 percent, with Amazon’s Kindle at 50 to 60 percent and Barnes & Noble’s Nook at 25 percent. But Moerer said the iBookstore’s market share was 20 percent in the first few months after the iBookstore’s launch, Publishers Weekly reports, and is about 20 percent now. (If this is true, the other retailers’ market shares would need to be adjusted downward, since Google and Kobo likely hold 1 to 2 percent of the U.S. ebook market.) From PW:
     
  4. Text digitization in the cultural heritage sector started in earnest in 1971, when the first Project Gutenberg text — the United States Declaration of Independence — was keyed into a file on a mainframe at the University of Illinois. The Thesaurus Linguae Graecae began in 1972. The Oxford Text Archive was founded in 1976. The ARTFL Project was founded at the University of Chicago in 1982. The Perseus Digital Library started its development in 1985
     
  5. The thing about my iPad is that there’s too much going on there. It’s not quite as busy and distraction-prone as my laptop, but when I’m staring into the growing screen of my tablet, my brain knows about all the options it has. I can check Twitter, refresh my Gmail inbox one more time, page through Flipboard… The thing I can never seem to make my way to is the Kindle app, where the books are waiting. That’s why I want a Kindle.
     
  6. Because of the strange distortions of copyright protection, there are twice as many newly published books available on Amazon from 1850 as there are from 1950
     
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  9. 21:47

    Notes: 93

    Tags: amazonEbooksreading

    What we find is that when people buy a Kindle they read four times as much as they did before they bought the Kindle.
     
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  11. Nearly 50% of U.K. parents say they now read books to their kids on e-readers or tablets or allow them to read on them, according to a survey carried out by Ipsos Mori…. one-in-four parents polled said they’d also bought their children an e-reader. 

     
  12. Coliloquy’s digital books, which are available on Kindle, Nook and Android e-readers, have a “choose-your-own-adventure”-style format, allowing readers to customize characters and plot lines. The company’s engineers aggregate and pool the data gleaned from readers’ selections and send it to the authors, who can adjust story lines in their next books to reflect popular choices…

    In Tawna Fenske’s romantic caper “Getting Dumped”—which centers on a young woman who finds work at a landfill after getting laid off from her high-profile job at the county’s public relations office—readers can choose which of three suitors they want the heroine to pursue. The most recent batch of statistics showed that 53.3% chose Collin, a Hugh Grant type; 16.8% chose Pete, the handsome but unavailable co-worker; and 29.7% of readers liked Daniel, the heroine’s emotionally distant boyfriend. Ms. Fenske originally planned to get rid of Daniel by sending him to prison and writing him out of the series. Then she saw the statistics. She decided 29.7 % was too big a chunk of her audience to ignore.

     
  13. 07:46

    Notes: 11

    Tags: Ebooks

    In the past, publishers and authors had no way of knowing what happens when a reader sits down with a book. Does the reader quit after three pages, or finish it in a single sitting? Do most readers skip over the introduction, or read it closely, underlining passages and scrawling notes in the margins? Now, e-books are providing a glimpse into the story behind the sales figures, revealing not only how many people buy particular books, but how intensely they read them
     
  14. 01:54

    Tags: Ebooks

    The publisher paid developer The Other Media more than £50k to make the app, while also investing in a PR and marketing campaign. According to digital publisher Alex Gatrell, HarperCollins needed to sell 20k copies to recoup its investment. “Within three days we’d recouped the cost, so it was a massive success,” he said, speaking at the Publishing Apps event in London.
     
  15. Called the “Kindle Mobile Learning Initiative,” the program will deliver Kindles that include english language instruction apps and other content in an effort to expose them to American culture.

    “This public-private partnership with Amazon.com and the U.S. government will create a global e-reader program that introduces aspects of U.S. society and culture directly to young people, students, and international audiences